All-around creative in video production

I concept, write, shoot and produce videos for brands, internal teams and documentary-style projects. My background in screenwriting and photography helps me tell clear, authentic stories on screen. If you need a specialist with many different skills in one person, I am your woman.

  • “Bully Free” Campaign

    I served as Assistant Director on three fast-turnaround commercial shoots, including a Super Bowl spot that reached over 10 million viewers and boosted brand awareness by 75%. Social engagement spiked 270%, with TV recognition responses doubling.

    For the Super Bowl spot, our team pulled off what usually takes 6–8 months in just 6–8 weeks—on a $30K budget (vs. the industry’s $1M+). I led pre-production logistics, created storyboards, schedules, and production books, and coordinated departments to align with the director’s vision.

    By the third spot, I stepped in as co-writer, leveraging my film background to help shape scripts, run timed read-throughs, and ensure tight, punchy storytelling. On set, I ran point on scheduling, 2nd unit direction, and B/C cam shots—keeping production on time, on budget, and injury-free.

BULLY FREE SUPER BOWL COMMERCIAL

SMALL BUSINESS BROADCAST COMMERCIAL

TRAINING DAY BROADCAST COMMERCIAL

  • BULL MAN short film

    Shot in Manchester, UK with a UK-based crew, BULL MAN is an erotic horror short exploring female rage, sacrifice, and forbidden desire. As Executive Director and Writer, I led the creative vision from script to screen, co-crafting a 10-minute proof-of-concept that stands alone while teasing a full-length feature.

    We successfully crowdfunded the project, raising $3,850 from 72 backers—128% over goal—through a campaign I co-led, handling strategy, outreach, and social rollout to build early buzz with our alt-horror audience.

    Our cast includes Kae Alexander (Game of Thrones, Bad Education) as our lead, and Lisanne Falk (Heather in Heathers), lending star power and genre cred to the project.

    On the creative side, I wrote the script and shaped the visual world alongside the director—from pink-curtained “womb” interiors to a tight, jazz-like dialogue rhythm. During production, I oversaw execution across departments to maintain cohesion and elevate the film’s tone and texture.

    BULL MAN is a slow-burn, sexy scream for fans of Eyes Wide Shut, Barbie, and The Witch—a darkly elegant horror for A24 femmes.

    FYI: I edited the sizzle and trailer reels

Sizzle Kickstarter Reel

Trailer 15s Social Video

  • Mascot Commercials

    Led creative direction and on-set execution for this playful multi-spot campaign featuring iconic Chicago mascots. Collaborated closely with the sponsorship team, talent, and crew to capture spontaneous comedy, choreograph mascot interactions, and deliver engaging, brand-aligned content for broadcast and social media.

    Customer Success

    The Customer Success series features mini-documentaries highlighting Wintrust’s business clients and the impact of personalized banking partnerships. Each piece is crafted to feel human, grounded, and brand-aligned—elevating customer voices while reinforcing Wintrust’s community-first mission.

    As Video Director, I led story development from concept through production. I collaborated with clients and internal stakeholders to shape narratives that aligned with business goals, conducted pre-interviews, scouted locations, and partnered with producers and writers to build clear, compelling pitches. After presenting our direction to leadership, I created detailed production books and schedules to keep shoots efficient and cohesive.

    On set, I directed interviews and b-roll, kept the crew on pace, and made sure the tone and visuals remained consistent across the series—even while working under accelerated timelines and shifting priorities.

MASCOT MIX-UP BROADCAST COMMERCIAL

CUBS & SOX BROADCAST COMMERCIAL

  • I usually do a stop motion every 4 years. It’s enough time to forget how insane it makes me feel. I’ve done most of these alone, which is why it makes me so nutty.

  • Short Animated Documentary Teaser

    Directed by Lianne Becker

    “Abigail” Animated by LN Mitchell (part of several animations featured)

    Featuring the voice talents of Judith Light.

    Gen Z teens from NYC recount their dreams and nightmares from the early days of the Covid-19 pandemic, which are brought to life through vivid animation.

    FESTIVAL HIGHLIGHTS:

    Official Selection - Flickers Rhode Island International Film Festival
    Official Selection - Cinequest
    Official Selection - Provincetown Film Festival
    Official Selection - Middlebury New Filmmakers Festival

  • 2 minute Short Animated Film

    Part of an all women identifying gallery show in Atlanta, Georgia, in 2016.

  • 3.5 minute Short Animated Film

  • Crosstown Series Social Media Videos

    As a videographer, my role was to film and interview the Crosstown Series winners. I used a gimbal, FX6, a Sony A7s III, along with a boom mic.

WHITE SOX SOCIAL CUT

CUBS SOCIAL CUT

MASCOT MIX-UP 15s BROADCAST COMMERCIAL

  • Sports Debit Card Commercials

    As an assistant editor/animator, my role was to update/rebrand the graphics for the debit card commercials under the direction of the Senior Video Editor. I updated the text graphics and VFX, edited the disclosures, refreshed the animations, and swapped out footage provided by the teams.

WHITE SOX BROADCAST COMMERCIAL

CUBS BROADCAST COMMERCIAL

DEPAUL COMMERCIAL

ALAMODE BROADCAST COMMERCIAL

ELI’S CHEESECAKE BROADCAST COMMERCIAL

BONE ROOFING BROADCAST COMMERCIAL

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screenplays

  • Confidential Feature Script – Biopic

    Hired by a Los Angeles-based production company as the screenwriter for a feature-length biopic. Responsible for developing the treatment, writing the first draft, and currently contracted for a full page-one rewrite.

  • Psychological Fantasy Feature

    Post-suicide attempt, a dancer seeks to uncover traumatic memories, while her soul battles those from Shado-World who try to prevent her from remembering.

    This script received an 8 out of 10 on The Blacklist (only 5% of scripts receive this rating). This is what led me to be hired to write THE ARTIST IS PRESENT.

  • Horror TV Pilot

    A Medical Assistant desperate to pay for cancer treatment answers a mysterious ad for a Night Nurse. The stakes are raised when she discovers her employers are vampires who auction off children as blood sources to other vampire clans.

    This script has placed highly in several screenwriting competitions.

Contact me

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